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- Do you get nervous public speaking? (See also: "Are you human?")
Do you get nervous public speaking? (See also: "Are you human?")
Let's nip that in the bud
Former players from Makato West High School
Hey! š
Before Tim Walz took the stage at the DNC last Wednesday, the vibes were pure pageant. Signs everywhere screamed āCOACH WALZ.ā
A string of former football players stepped out on stage, their adult bodies sausaged into high school uniforms. They were there to honor their old coach. The crowd roared.
When all those old friends shuffled offstage, they walked right by Tim Walz. He could have thanked them. He could have smiled at them. But he didnāt.
He kept his gaze straight down at the floor, taking impossibly deep breaths. CBS News reported that he had been standing just like that throughout the entire introductionā¦ staring down, breathing deeply.
And then he walked out on that stage and absolutely killed it.
Towards the end of his speech, with relief all over his face, he said, āYou might not know it, but I havenāt given a lot of big speeches like this. But Iāve given a lot of pep talksā¦ā
A coach knows that people get scared when it's time to perform. Not some peopleā¦ All of us.
Itās natural. Itās human. Thatās the way we are designed.
20 million people watched that speech - the biggest moment in Tim Walzās life.
Coach knew exactly how to prepare himself to meet his moment.
In this edition, Iām going to help you prepare to meet yours.
š£This week
How to conquer your nerves and nail any public speaking gig
Ready to create content? Hereās your first step
TikTok Live Battles WTF?!
Letās get into itā¦
š¬Nervous when public speaking? Hereās how to kill itā¦
I have been directing actors for 28 years, and Iāve worked with television hosts just as long. About 15 years ago, as part of our work at Bright Red Pixels, I started helping corporate executives and professionals improve their performances on camera.
Now that Iām very old, I coach elementary and middle school students who perform at an international creative problem solving competition called Odyssey of the Mind.
Point beingā¦ I have a LOT of experience here.
I also know what it feels like myself. I have acted on stage, I have presented on camera, Iāve given speeches, and represented myself in courtrooms (thatās a story for another day).
Iām going to share with you how I help people manage stage fright so they can achieve their goals when speaking on camera or in public.
My framework is as simple as A, B, C.
Three steps for getting comfortable on stage or screen
Youāre about to speak or get on camera, only minutes to go. You might feel nervous or anxious.
This could be physical - clammy palms, sweating, heart racing, shallow breathing, etc. Or it could be more mental - thoughts racing, unfocused, etc.
It could be severe- where you feel like you canāt go on, or it could be mild- something that kind of creeps up on you.
Regardless, the first step is toā¦
ACCEPT: Public speaking almost always triggers a flight, fight, or freeze reaction. This is your body trying to protect you. Instead of fighting the feeling and worrying that it will get worse, welcome it. You canāt address what you are trying to ignore.
BREATHE: Now that you are no longer nervous about being nervous, you can start to adjust your physical state. We do that through deep breathing, like Coach Walz. These are deep, no nonsense breaths. Deep inhale on a count of four, full exhale to a count of 6. On the inhale you are pushing your belly out to allow your lungs to expand down, but the key is all in the exhale. As you breathe out, feel your body sinking into the ground. Your posture stays straight, but you feel your shoulders, then your hips, knees, ankles, and finally your feet sinking into the floor. Keep breathing and pay attention to your body. Donāt worry about whether or not the nerves are leaving, focus on the nerves beginning to move around physically in your body. Feel waves wash over you with each exhale. Only stop when you have achieved a level of calm that works for you.
COMMIT: You are exactly where you are supposed to be. The audience wants to connect with you and you want to connect with them. But you canāt nail your performance by trying to nail it. Just like you canāt make a free throw by trying to make it. Instead, you have to commit fully to it. Silence the inner critic who will want to editorialize about every gesture you make, every stumble. Focus only on being present in the moment. Youāve prepared for this. Youāre ready. Just go out there and commit fully to yourself and your audience.
My strategy is based on the polyvagal theory, which posits that our nervous system is always in one of three states:
Our goal in this process is to move your nervous system from where you are - in dorsal vagal (full stage fright) or sympathetic (nerves) to a place where you can connect and truly be spontaneous, ideally in the ventral vagal zone.
If you like my framework, and think maybe it can help you, download this mini-tool:
From this link, download the folder to your phone.
Tap on each individual gif and hit the share icon.
Save to your camera roll.
Create a photo album with just these for gifs in it, in order.
Just before you speak, when youāre backstage and feeling nervous, just click on the album and go through the ABCs!
āļøThe first step in making new content
To help build our community of people who create content for themselves or their business, Iām designing a free email course in five parts. Each part will give the reader a video prompt.
Make a video from all five prompts, and you should have a pretty good sense of how to move forward with your content.
Now, remember - if there is a hill I will die on, itās that anyone who produces content needs to focus on their content pipeline more than any one piece of content itself. So this course is all about scooping out that initial content pipeline.
Today Iām sharing the first prompt with all of you. Hereās what you need to know to follow it:
The response to this prompt is a video. I donāt care how you make it or what you do with it, but you need to do something with it - that is, at the very least, record it and upload it somewhere or share it with someone.
Donāt overthink it, just do it.
Content Prompt #1
Tell me about a person in your target audience. Someone you want to talk to, and someone you think you can help. Be really specific about this person - who they are, what their history is, what they want, and what you see as opportunity for them. This can be a real person or a person you imagine, but whatās most important is that you talk about specifically one person.
Next week, weāll talk about what you can take from this prompt.
But if you just canāt wait that long, reply to this email and send me a link to your video.
š¤ÆIs anyone else weirded out by this?
TikTok Live is a place where Iāve been doing a bit of research lately. Itās an odd corner of the social net that you might never see if you arenāt looking for it.
But itās generating huge money for the platform and increasing traction among users. I would describe it as half QVC, half twitch. Doesnāt exactly sound like fun to me, but welcome to my GenX lifeā¦ too young to shop live, too old to watch someone else play video games.
But hereās what really caught my eye on the platform:
A TikTok Live Match
This, my friends, is called a ābattleā or, in TikTok parlance, a āLive Matchā. Essentially two people who are streaming on TikTok live together ābattleā to see who can get the most gifts from their fans in a five minute period.
As far as I can tell, this format is unique to TikTok - based on a similar feature in Daoyin, its sister platform in China.
The gifts are real money, and can be anywhere from $1 to $1000. The battle is about how many, not how much.
You can see at the top, there is literally a meter that shows how many gifts each battler has received. Archie is killing Justina here but, in a TikTok battle, everybody wins except the audience. TikTok takes whatever they want off the top and then awards ādiamondsā to both battlers that they can convert to cash.
As far as I can tell, thereās no value here whatsoever other than raising money. There are people who use battles to debate politics, and thatās cool. Other people use them to dance or perform. Plus thereās often a āpunishmentā for the loser thatās decided on in advance, so I guess thatās a little entertainment.
But regardless of what the battle entails, youāre not really being judged on how good your debate points are, or your dance moves areā¦ you win simply because you get more of your audience to give you gifts. Itās basically a balls-weighing contest.
The whole thing totally has a carnival barker atmosphere to it. I can see lots of creepy applications for this but, for the life of me, I canāt think of one practical or productive application.
Can you? If so - please respond to this email and lemme know. Cause I am totally š¤.
Thatās all for now. Thanks for readingš
Until next timeā¦
Be Spontaneous, ae
āÆļø